The Hidden Discipline of Familiarity
Everything is Waiting for You
by David Whyte
Your great mistake is to act the drama
as if you were alone. As if life
were a progressive and cunning crime
with no witness to the tiny hidden
transgressions. To feel abandoned is to deny
the intimacy of your surroundings. Surely,
even you, at times, have felt the grand array;
the swelling presence, and the chorus, crowding
out your solo voice You must note
the way the soap dish enables you,
or the window latch grants you freedom.
Alertness is the hidden discipline of familiarity.
The stairs are your mentor of things
to come, the doors have always been there
to frighten you and invite you,
and the tiny speaker in the phone
is your dream-ladder to divinity.
Put down the weight of your aloneness and ease into
the conversation. The kettle is singing
even as it pours you a drink, the cooking pots
have left their arrogant aloofness and
seen the good in you at last. All the birds
and creatures of the world are unutterably
themselves. Everything is waiting for you.
[Thank you Prema!]


"The outcome of any serious research can only be to make two questions grow where only one grew before."
Ralph Waldo Emerson, toward the end 
Why Does E=mc2?

“In 



“To practice equanimity is to understand that everything everybody ever does — I repeat, everything everybody ever does — is because at that moment, he or she feels that their action will improve their world. In other words he or she is just 

caregivers and chaplains. So the Army's going to spend fifty cents to pay me to do the retreat and then a million dollars to study the effects of the retreat over time. So...it’s very expensive to conduct research. Very expensive. A million dollar research grant is not an unusual grant. A million dollar gift to a dharma center or for a teacher training or something like that is very, very rare. So it’s a little out of scale.
drawing. I could see the main character as an old woman, waiting for her time traveler. But was it a picture, or something else? The characters suddenly had names; as I went about my daily life they began to have personalities, desires, schemes. At this point I realized that a picture book wasn't going to work. Still images are always the present, and they don't capture the fluidity of time. I had the choice of trying to write a novel (which I'd never done) or make a movie (very expensive and requiring the help of other people). I began to write. 






"It's not possible to advise a young writer because every young writer is so different. You might say, 'Read,' but a writer can read too much and be paralyzed. Or, 'Don't read, don't think, just write,' and the result could be a mountain of drivel. If you're going to be a writer you'll probably take a lot of wrong turns and then one day just end up writing something you have to write, then getting it better and better just because you want it to be better, and even when you get old and think 'There must be something else people do,' you won't quite be able to quit."








