Showing posts with label communication. Show all posts
Showing posts with label communication. Show all posts

Saturday, April 23, 2011

Finding New Ways to Speak

"It is human nature to look at someone like me and assume I have lost some of my marbles. People talk loudly and slowly to me. Sometimes they assume I am deaf. There are people who don't want to make eye contact. It is human nature to look away from illness. We don't enjoy a reminder of our own fragile mortality.

That's why writing on the Internet has become a life-saver for me. My ability to think and write have not been affected. And on the Web, my real voice finds expression. I have also met many other disabled people who communicate this way. One of my Twitter friends can type only with his toes. One of the funniest blogs on the Web is written by a friend of mine named Smartass Cripple. Google him and he will make you laugh.

All of these people are saying, in one way or another, that what you see is not all you get."

~ Robert Ebert, from “Remaking My Voice,” TED Talks, April 2011

Tuesday, April 19, 2011

Open and Listening

Excerpt from "Corner Office: Mark Fuller," by Adam Bryant, New York Times, April 16, 2011:

Mark Fuller, C.E.O. of WET Design (Photo: Richard Perry, NYT)Improv, if properly taught, is really about listening to the other person, because there’s no script. It’s about responding. I was noticing that we didn’t have a lot of good communication among our people (WET Design).

If you think about it, if you have an argument with your wife or husband, most of the time people are just waiting for the other person to finish so they can say what they’re waiting to say. So usually they’re these serial machine-gun monologues, and very little listening.

That doesn’t work in improv. If we’re on the stage, I don’t know what goofball thing you’re going to say, so I can’t be planning anything. I have to really be listening to you so I can make an intelligent — humorous or not — response.

So I got this crazy idea of bringing in someone to teach an improv class. At first, everybody had an excuse, because it’s kind of scary to stand up in front of people and do this. But now we’ve got a waiting list because word has spread that it’s really cool.

You’re in an emotionally naked environment. It’s like we’re all the same. We all can look stupid. And it’s an amazing bonding thing, plus it’s building all these communication skills. You’re sort of in this gray space of uncertainty. Most of us don’t like to be uncertain — you know, most of us like to be thinking what we’re going to say next. You get your mind into a space where you say, “I’m really enjoying that I don’t know what he’s going to ask me next, and I’m going to be open and listening and come back.”

We’ve got graphic designers, illustrators, optical engineers, Ph.D. chemists, special effects people, landscape designers, textile designers. You get all these different disciplines that typically you would never find under one roof — even making a movie — and so you have to constantly be finding these ways to have people connect.

So we do things like improv, and I think they really have developed our culture.

* * * * *

See also:

Wednesday, February 09, 2011

In Between

Sofia Coppola, speaking with Kurt Anderson about Somewhere on Studio 360 (Jan. 7, 2011):

“[The main character] is based on a bunch of different movie star actors that I’ve known or met or heard stories about and mixed them all together. He’s become famous recently and he’s doing a press conference for a movie he’s done called Berlin Agenda so you get the idea he’s done some kind of big action movie that he’s not very proud of. I never want to show him making a movie. It’s not really about the film business, but that’s the backdrop. I try to think of things that the actors would do in between films like get a head plaster cast, or sometimes they learn strange skills. You hear stories about actors having romances with their leading ladies and I thought, what happens when they have to get back together a year later for a reshoot or a press junket. Everything’s heightened when you’re doing a movie and then it’s over.”

“I like in life how so much is conveyed by the way someone gives a look or a glance. I think a lot of times in movies, people explain all their feelings, but in life you’re not always able to articulate a lot of things. And part of the fun of making films is telling the story in a visual way.”


Sunday, January 30, 2011

Finding Their Voices

“One thing that I think is pretty universal for stutterers is that since we have to deal with this every single day of our lives, I think that everyone will agree that it really teaches compassion.”

~ Philip, from “Finding Their Voices,” by Mo Rocca, CBS Sunday Morning, Jan. 30, 2011

See also: The Way You Are

Tuesday, July 13, 2010

Shared Narratives

 

“We find a direct collision between availability and what's possible through availability, and a fundamental human need—which we've been hearing about a lot—the need to create shared narratives. We're very good at creating personal narratives, but it's the shared narratives that make us a culture. And when you're standing with someone, and you're on your mobile device, effectively what you're saying to them is, You are not as important as, literally, almost anything that could come to me through this device.”

~ Renny Gleeson, from a very brief TED Talk on antisocial phone tricks

Tuesday, April 27, 2010

Creating Illusions

A PowerPoint diagram meant to portray the complexity of American strategy in Afghanistan.

“[PowerPoint] is dangerous because it can create the illusion of understanding and the illusion of control. Some problems in the world are not bullet-izable.”

~ Brig. Gen. H. R. McMaster, from “We Have Met the Enemy and He is PowerPoint,” by Elisabeth Bumiller, New York Times, April 26, 2010

Saturday, March 20, 2010

Speak Up

truth

@JSCarroll

Thursday, March 18, 2010

Less Small Talk

Excerpt from “Talk Deeply, Be Happy?” by Roni Caryn Rabin, New York Times (March 17, 2010):

…people who spend more of their day having deep discussions and less time engaging in small talk seem to be happier, said Matthias Mehl, a psychologist at the University of Arizona who published a study on the subject.

“We found this so interesting, because it could have gone the other way — it could have been, ‘Don’t worry, be happy’ — as long as you surf on the shallow level of life you’re happy, and if you go into the existential depths you’ll be unhappy,” Dr. Mehl said.

But, he proposed, substantive conversation seemed to hold the key to happiness for two main reasons: both because human beings are driven to find and create meaning in their lives, and because we are social animals who want and need to connect with other people.

More…

Wednesday, February 03, 2010

Short Attention Span Culture

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Visit the digital_nation site to learn more and about this program, watch it online, and join the conversation.

Tuesday, January 19, 2010

What’s Essential in Life

Bob Shumaker, a former POW in Vietnam, describes how he and his fellow prisoners developed a social network that was crucial to their surviving three years in solitary confinement. They succeeded by creating a tap code that allowed them to communicate through their cell walls. "Being a prisoner really focuses on what's essential in life and there are a lot of things we can do without and still be happy. The key lessons from Bob Shumaker's story are that inside almost all of us is the capacity to overcome the most horrific of stress in our life and even ultimately learn from that stress and thrive and grow as a person."

~ from Rethinking Happiness, an episode of the PBS program This Emotional Life

Monday, January 18, 2010

Catching Up

The Letter From Home
by Nancyrose Houston, from American Life in Poetry

The dogs barked, the dogs scratched, the dogs got wet, the
dogs shook, the dogs circled, the dogs slept, the dogs ate,
the dogs barked; the rain fell down, the leaves fell down, the
eggs fell down and cracked on the floor; the dust settled,
the wood floors were scratched, the cabinets sat without
doors, the trim without paint, the stuff piled up; I loaded the
dishwasher, I unloaded the dishwasher, I raked the leaves,
I did the laundry, I took out the garbage, I took out the
recycling, I took out the yard waste. There was a bed, it was
soft, there was a blanket, it was warm, there were dreams,
they were good. The corn grew, the eggplant grew, the
tomatoes grew, the lettuce grew, the strawberries grew, the
blackberries grew; the tea kettle screamed, the computer
keys clicked, the radio roared, the TV spoke. “Will they ever
come home?” “Can’t I take a break?” “How do others keep
their house clean?” “Will I remember this day in fifty years?”
The sweet tea slipped down my throat, the brownies melted
in my mouth. My mother cooked, the apple tree bloomed, the
lilac bloomed, the mimosa bloomed, I bloomed.

Sunday, October 18, 2009

Hands

Dłonie (Hands)
by Maciej Jurewicz

A short documentary about silence.

 

@jscarroll

Saturday, August 15, 2009

Taking Responsibility for Our Own Happiness

From “Those Aren’t Fighting Words, Dear,” by Laura A. Munson, The New York Times, July 31, 2009:

“I don’t love you anymore. I’m not sure I ever did.”

His words came at me like a speeding fist, like a sucker punch, yet somehow in that moment I was able to duck. And once I recovered and composed myself, I managed to say, “I don’t buy it.” Because I didn’t.

He drew back in surprise. Apparently he’d expected me to burst into tears, to rage at him, to threaten him with a custody battle. Or beg him to change his mind.

So he turned mean. “I don’t like what you’ve become.”

Gut-wrenching pause. How could he say such a thing? That’s when I really wanted to fight. To rage. To cry. But I didn’t.

Instead, a shroud of calm enveloped me, and I repeated those words: “I don’t buy it.”

You see, I’d recently committed to a non-negotiable understanding with myself. I’d committed to “The End of Suffering.” I’d finally managed to exile the voices in my head that told me my personal happiness was only as good as my outward success, rooted in things that were often outside my control. I’d seen the insanity of that equation and decided to take responsibility for my own happiness. And I mean all of it.

More…

Sunday, August 02, 2009

Making an Effort to Be Understood and to Understand Others

"In the award-winning documentary Children Full of Life, a fourth-grade class in a primary school in Kanazawa, northwest of Tokyo, learn lessons about compassion from their homeroom teacher, Toshiro Kanamori. He instructs each to write their true inner feelings in a letter, and read it aloud in front of the class. By sharing their lives, the children begin to realize the importance of caring for their classmates."

 

[Thanks Jonathan Carroll!]

Thursday, July 23, 2009

Benign Contagion

[Thanks Kimberly!]

Sunday, June 28, 2009

Communication Technology Triage

James Estrin/The New York Times“To Skype or not to Skype, that is the question. But answering it invokes a larger conundrum: how to perform triage on the communication technologies that seem to multiply like Tribbles — instant messaging, texting, cellphones, softphones, iChat, Facebook, MySpace, Twitter; how to distinguish among those that will truly enhance intimacy, those that result in T.M.I. and those that, though pitching greater connectedness, in fact further disconnect us from the people we love."

~ Peggy Orenstein, from “The Overextended Family,” The New York Times Sunday Magazine (June 28, 2009)

Thursday, March 06, 2008

Homecoming

"When you think about language and you think about consciousness, it's just incredible to think that we can make any sounds that can reach over across to each other at all...I think the beauty of being human is that we're incredibly, intimately near each other. We know about each other, but yet we do not know or never can know what it's like inside another person. And it's amazing, you know, here am I sitting in front of you now, looking at your face, you're looking at mine and yet neither of us have ever seen our own faces. And that in some way, thought is the face that we put on the meaning that we feel and that we struggle with and that the world is always larger and more intense and stranger than our best thought will ever reach. And that's the mystery of poetry, you know, is poetry tries to draw alongside the mystery as it's emerging and somehow bring it into presence and into birth."

...

"That's what I call spirituality, the art of homecoming. So it's St. Augustine's phrase, Deus intimior intimo meo — "God is more intimate to me than I am to myself." Then you go to Meister Eckhart, and you get the other side of it which you must always keep together with it, where in Middle High German, he says (in German) that means, "God becomes and God unbecomes," or translated it means that God is only our name for it and the closer we get to it the more it ceases to be God. So then you are on a real safari with the wildness and danger and otherness of God.

"And I think when you begin to get a sense of the depth that is there then your whole heart wakens up. You know, I mean, I love Irenaeus' thing from the second century, which said, the Glory of the human being — "The glory of God is the human being fully alive." And I think in our culture that one of the things that we are missing is that these thresholds where we can encounter this, and where we move into new change in our lives, there are no rituals to help us to recognize them or to cross them worthily."

-- John O'Donohue in conversation with Krista Tippett on Speaking of Faith (2.28.08).