Showing posts with label breath. Show all posts
Showing posts with label breath. Show all posts

Tuesday, February 08, 2011

Impossible Notes

The Fire In The Song
by David Whyte, from Fire in the Earth

Fire in the EarthThe mouth opens
and fills the air
with its vibrant shape

until the air
and the mouth
become one shape.

And the first word,
your own word,
spoken from that fire

surprises, burns,
grieves you now
because

you made that pact
with a dark presence
in your life.

He said, "If you only
stop singing
I’ll make you safe."

And he repeated the line,
knowing you would hear
"I’ll make you safe"

as the comforting
sound of a door
closed on the fear at last,

but his darkness crept
under your tongue
and became the dim

cave where
you sheltered
and you grew

in that small place
too frightened to remember
the songs of the world,

its impossible notes,
and the sweet joy
that flew out the door

of your wild mouth
as you spoke.

Monday, January 24, 2011

NEWS OF

another massacre; and the clean bright morning.
Keeping walking. ‘Contradiction’ is human–I know that.
And ‘knowing’...A stirring from the place the whirlwind–something
like fear–arises, and watching my breath

to still that. Suddenly thinking somewhere in the breath–along
the breath, is an understood place. Somewhere–but somewhere
in passing–where the matter is reconciled.

by Carol Snow, from For

Thursday, January 06, 2011

Standing in the Sky

“You are standing in the sky. When we think of the sky, we tend to look up, but the sky actually begins at the earth. We walk through it, yell into it, rake leaves, wash the dog, and drive cars in it. We breathe it deep within us. With every breath, we inhale millions of molecules of sky, heat them briefly, and then exhale them back into the world. At this moment, you are breathing some of the same molecules once breathed by Leonardo da Vinci, William Shakespeare, Anne Bradstreet, or Colette. Inhale deeply. Think of The Tempest. Air works the bellows of our lungs, and it powers our cells. We say “light as air,” but there is nothing lightweight about our atmosphere, which weighs 5,000 trillion tons. Only a clench as stubborn as gravity’s could hold it to the earth; otherwise it would simply float away and seep into the cornerless expanse of space.”

~ Diane Ackerman, from A Natural History of the Senses

Wednesday, November 17, 2010

For One Minute

…or just look at this pole and try to relax the impulse to define it or interpret it or decide whether or not it is beautiful. Try to notice what it feels like to see, as if you had no words for any of the forms or colors in front of you, as if the words on the paper were written in a language you never learned to read.

…or let your gaze spread gently across your entire field of vision, taking in the area immediately in front of you, the farthest distance you can observe without straining, the right and left edges of your peripheral vision, and everything in between. Take it all in at once—the whole three-dimensional volume of visual space. This is what the present looks like. This is what it feels like to see without spinning a story. This is what it feels like to see as a young child sees, simply fascinated with the seeing itself. Sixty seconds can feel like a long time. Try stringing together several intervals of four or five seconds instead. 

…or listen to what this moment sounds like without needing to know the source of the sounds or to evaluate any of them as pleasant or unpleasant. Steep in the wonder of vibrations striking tiny bones inside your ears and massaging that space where all of the internal chatter plays out, wave after wave of internal sound. There’s no need to tamp down the internal sounds that well up as you’re listening. Allow them to play out as they will, trying to be aware of the silence between the waves. Use the activity of internal sound to remind you to spread your listening out in all directions and become absorbed by it. 

Tuesday, June 08, 2010

Deepest Blue

 

“World champion freediver Guillaume Nery’s special dive at Dean's Blue Hole, the deepest blue hole in the world filmed entirely on breath hold by the French champion Julie Gautier.”

Thursday, May 06, 2010

Wide Awake

"For me, the main thing that I found after my three-year quest was meditation. Meditation was a real major revelation for me, not only for my life but for my sleep. It really helped calm me down. So I think if you can do any type of relaxation exercises, if you can practice breathing, I think that if you can do it, it's far more beneficial than going the pharmaceutical route.”

~ Patricia Morrisroe, author of Wide Awake: A Memoir of Insomnia, from Talk of the Nation (May 4, 2010)

[Thanks Suzanne!]

Friday, April 17, 2009

Everyone’s Dream

Being a Person
by William Stafford

Be a person here. Stand by the river, invoke
the owls. Invoke winter, then spring.
Let any season that wants to come here make its own
call. After that sound goes away, wait.

A slow bubble rises through the earth
and begins to include sky, stars, all space,
even the outracing, expanding thought.
Come back and hear the little sound again.

Suddenly this dream you are having matches
everyone's dream, and the result is the world.
If a different call came there wouldn't be any
world, or you, or the river, or the owls calling.

How you stand here is important. How you
listen for the next things to happen. How you breathe.

Never Could I Live Without You

To the Air
by W.S. Merwin, from Present Company

Present Company Just when I needed you
there you were
I cannot say
how long you have been
present all at once
color of the day
as it comes to be seen
color of before
face of forgetting
color of heaven
out of sight within
myself leaving me
all the time only
to return without
question never
could I live without you
never have you
belonged to me
never do I want
you not to be with me
you who have been
the breath of everyone
and each word spoken
without needing to know
the meaning of any of them
or who was speaking
when you are the wind
where do you start from
when you are still
where do you go
you who became
all the names I have known
and the lives in which
they came and went
invisible friend
go on telling me
again again