Saturday, April 02, 2011
Saturday, February 26, 2011
Love What You Are
Lines for Winter
by Mark Strand, from New Selected Poems
Tell yourself
as it gets cold and gray falls from the air
that you will go on
walking, hearing
the same tune no matter where
you find yourself—
inside the dome of dark
or under the cracking white
of the moon’s gaze in a valley of snow.
Tonight as it gets cold
tell yourself
what you know, which is nothing
but the tune your bones play
as you keep going. And you will be able
for once to lie down under the small fire
of winter stars.
And if it happens that you cannot
go on or turn back
and you find yourself
where you will be at the end,
tell yourself
in that final flowing of cold through your limbs
that you love what you are.
Posted by
Daron
at
8:00 AM
Labels: acceptance, equanimity, identity, love, Mark Strand, poetry, uncertainty, winter
Tuesday, January 18, 2011
Suddenly the Whole House Made Sense
Photo by Lisa Ann Robertson, used without permission.
Zero
by George Bilgere, from The White Museum
First it was five above, then two,
then one morning just plain zero.
There was a strange thrill in saying it.
It's zero, I said,
when you got up.
I was pouring your coffee
and suddenly the whole house made sense:
the roof, the walls, the little heat registers
rattling on the floor. Even the mortgage. Zero,
you said, still in your robe.
And you walked to the window and looked out
at the blanket of snow on the garden
where last summer you planted carrots
and radishes, sweet peas and onions,
and a tiny rainforest of tomatoes
in the hot delirium of June.
Yes, I said, with a certain grim finality,
staring at the white cap of snow on the barbecue grill
I'd neglected to put in the garage for winter.
And the radio says it could go lower.
I like that robe. It's white and shimmery,
and has a habit of falling open
unless you tie it just right.
This wasn't the barbarians at the gate.
It wasn't Carthage in flames, or even
the Donner Party. But it was zero, by God,
and the robe fell open.
[Follow George Bilgere on Facebook]
Thursday, December 02, 2010
Keep Shining On
This Coldplay video was directed by Mat Whitecross and filmed in London on Thursday November 25th, 2010.
Monday, May 17, 2010
What’s a Flower?
February
by Dar Williams
I threw your keys in the water, I looked back,
They’d frozen halfway down in the ice.
They froze up so quickly, the keys and their owners,
Even after the anger, it all turned silent, and
The everyday turned solitary,
So we came to February.
First we forgot where we’d planted those bulbs last year,
Then we forgot that we’d planted at all,
Then we forgot what plants are altogether,
and I blamed you for my freezing and forgetting and
The nights were long and cold and scary,
Can we live through February?
You know I think Christmas was a long red glare,
Shot up like a warning, we gave presents without cards,
And then the snow,
And then the snow came, we were always out shoveling,
And we’d drop to sleep exhausted,
Then we’d wake up, and its snowing.
And February was so long that it lasted into March
And found us walking a path alone together.
You stopped and pointed and you said, "That’s a crocus,"
And I said, "What’s a crocus?" and you said, "Its a flower,"
I tried to remember, but I said, "What’s a flower?"
You said, "I still love you."
The leaves were turning as we drove to the hardware store,
My new lover made me keys to the house,
And when we got home, well we just started chopping wood,
Because you never know how next year will be,
And well gather all our arms can carry,
I have lost to February.
Posted by
Daron
at
8:47 AM
Labels: broken heart, Dar Willams, loneliness, love, music, seasons, winter, yearning
Wednesday, February 17, 2010
How Endless is this Whiteness
Buddha Weeping in Winter
by E. Ethelbert Miller, from Buddha Weeping in Winter
snow falling on prayers
covering the path
made by your footprints
I wait for spring
and the return of love
how endless
is this whiteness
like letters
without envelopes
LIsten to E. Ethelbert Miller reading from more of his work at “Black & Universal,” Speaking of Faith, February 11, 2010
Evidence of Things Unseen
Ruach dances in the backyard.
It blows without swaying
the trees, still
the snow-sifted air reveals
contours of swirling forms,
unique as fingerprints,
transparent arabesques brought to light.
The insubstantial proof, certain as
the scattered footprints
on an ash-dusted temple floor,
of earthly visitation.
Thursday, February 04, 2010
Homeostasis
The chill slipped through my skin
right into my marrow
where it took root and blossomed.
You offered me a drink
of your coffee
which we both know
is much stronger than I can take.
Made me consider how often
people have to weigh a degree of bitterness
against our thirst for warmth.
I met a woman who drinks hot water
every morning.
Says she never really liked coffee
or tea,
but she enjoys cradling a warm mug
in her cold hands.
Says she doesn’t feel like she’s missing anything.
There must be fifty ways
I haven’t yet imagined
to warm these bones.
Friday, April 17, 2009
Everyone’s Dream
Being a Person
by William Stafford
Be a person here. Stand by the river, invoke
the owls. Invoke winter, then spring.
Let any season that wants to come here make its own
call. After that sound goes away, wait.
A slow bubble rises through the earth
and begins to include sky, stars, all space,
even the outracing, expanding thought.
Come back and hear the little sound again.
Suddenly this dream you are having matches
everyone's dream, and the result is the world.
If a different call came there wouldn't be any
world, or you, or the river, or the owls calling.
How you stand here is important. How you
listen for the next things to happen. How you breathe.
Posted by
Daron
at
7:10 AM
Labels: breath, dreams, expansion/contraction, hearing, nature, paying attention, poetry, seasons, senses, spring, waking up, William Stafford, winter
Sunday, March 01, 2009
Blessed by Doubt
April 5, 1974
by Richard Wilbur, from New and Collected Poems
The air was soft, the ground still cold.
In the dull pasture where I strolled
Was something I could not believe.
Dead grass appeared to slide and heave,
Though still too frozen-flat to stir,
And rocks to twitch, and all to blur.
What was this rippling of the land?
Was matter getting out of hand
And making free with natural law?
I stopped and blinked, and then I saw
A fact as eerie as a dream,
There was a subtle flood of steam
Moving upon the face of things. It came from standing pools and springs
And what of snow was still around;
It came of winter's giving ground
So that the freeze was coming out,
As when a set mind, blessed by doubt,
Relaxes into mother-wit.
Flowers, I said, will come of it.
[More by Richard Wilbur at The Writer’s Almanac.]
Sunday, February 01, 2009
Bright Sun after Heavy Snow
by Jane Kenyon, from The Boat of Quiet Hours
A ledge of ice slides from the eaves,
piercing the crusted drift. Astonishing
how even a little violence
eases the mind.
In this extreme state of light
everything seems flawed: the streaked
pane, the forced bulbs on the sill
that refuse to bloom...A wad of dust
rolls like a desert weed
over the drafty floor.
Again I recall a neighbor's
small affront — it rises in my mind
like the huge banks of snow along the road:
the plow, passing up and down all day,
pushes them higher and higher...
The shadow of smoke rising from the chimney
moves abruptly over the yard.
The clothesline rises in the wind. One
wooden pin is left, solitary as a finger;
it, too, rises and falls.
[Thanks Garrison Keillor!]
Wednesday, January 28, 2009
The Snowy Day
“One winter morning Peter woke up and looked out the window. Snow had fallen during the night. It covered everything as far as he could see.”
From The Snowy Day by Ezra Jack Keats
Friday, January 09, 2009
Loss Can Be Beautiful
Upon Discovering My Entire Solution to the Attainment of Immortality Erased From the Blackboard Except the Word ‘Save’
by Dobby Gibson, from Polar
If you have seen the snow
somewhere slowly fall
on a bicycle,
then you understand
all beauty will be lost
and that even that loss
can be beautiful.
And if you have looked
at a winter garden
and seen not a winter garden
but a meditation on shape,
then you know why
this season is not
known for its words,
the cold too much
about the slowing of matter,
not enough about the making of it.
So you are blessed
to forget this way:
a jump rope in the ice melt,
a mitten that has lost its hand,
a sun that shines
as if it doesn’t mean it.
And if in another season
you see a beautiful woman
use her bare hands
to smooth wrinkles
from her expensive dress
for the sake of dignity,
but in so doing trace
the outlines of her thighs,
then you will remember
surprise assumes a space
that has first been forgotten,
especially here, where we
rarely speak of it,
where we walk out onto the roofs
of frozen lakes
simply because we’re stunned
we really can.
Wednesday, December 24, 2008
A Mind of Winter
The Snow Man
Wallace Stevens
One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;
And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter
Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,
Which is the sound of the land
Full of the same wind
That is blowing in the same bare place
For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.
Tuesday, February 12, 2008
The Snow Man
One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;
And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter
Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,
Which is the sound of the land
Full of the same wind
That is blowing in the same bare place
For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.





