It’s All About the Coyote

Part of a discussion between Michael Barrier, author of Hollywood Cartoons: American Animation in Its Golden Age, and Radiolab producer Pat Walters from “The Universe Knows My Name,” from Radiolab, Jan. 11, 2011:

Michael Barrier: [Wile E. Coyote] is an extraordinarily human animal.

Pat Walters: And not just like in the facial expressions that he made and ways that he’d look at the camera a lot, but actually, it kind of was about the predicaments he found himself in. Take for example this one really famous cartoon (at 4:20 in the clip below). Like always, Coyote has got a plan. He has made a painting of the road. He’s put this painting right at the edge of the cliff.

MB: The idea being that the Road Runner would run through the painting, gravity would take hold of him, and he would plunge into the chasm…Instead, the Road Runner runs into the painting as if the road were actually continuing. But when the coyote tries to follow the Road Runner into the painting, he runs through the painting and falls…Gravity isn’t this uniformly indifferent force. It’s a malignant force that comes in and out of play according to how inconvenient it can be for the coyote…He’s chasing the Road Runner, but the universe is his opponent.

PW: And that’s kind of what makes the coyote seems so human. He’s in that situation that all of us feel like we’re in sometimes. Like the very laws of physics are against us.

MB: It’s almost a primitive way of thinking, but I think all of us lapse into this, you know, How can this happen? You can’t be human and not feel that way.

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Cartoon Physics, part 1
by Nick Flynn, from Some Ether

Children under, say, ten, shouldn't know
that the universe is ever-expanding,
inexorably pushing into the vacuum, galaxies

swallowed by galaxies, whole

solar systems collapsing, all of it
acted out in silence. At ten we are still learning

the rules of cartoon animation,

that if a man draws a door on a rock
only he can pass through it.
Anyone else who tries

will crash into the rock. Ten-year-olds
should stick with burning houses, car wrecks,
ships going down -- earthbound, tangible

disasters, arenas

where they can be heroes. You can run
back into a burning house, sinking ships

have lifeboats, the trucks will come
with their ladders, if you jump

you will be saved. A child

places her hand on the roof of a schoolbus,
& drives across a city of sand. She knows

the exact spot it will skid, at which point
the bridge will give, who will swim to safety
& who will be pulled under by sharks. She will learn

that if a man runs off the edge of a cliff
he will not fall

until he notices his mistake.

In the Moment

To Map Out the World

Art Spiegelman and Francoise Mouly discussing The Toon Treasury of Classic Children’s Comics with Michael Silverblatt on KCRW’s Bookworm (February 4, 2010).

Francoise Mouly: Kids aren’t necessarily — the way we imagine they might be — looking for escape and fantasy. Actually, the seven year old, the eight year old, is eager for a way to map out information — to map out the world. And that’s part of the reason why comics appeal to them. Because they are a very instinctive way to structure information…As Art has often referred to it, it’s a story made manifest spatially. You have a very instinctive way to understand narratives and to understand character’s emotion…It gives you cues. It is in and of itself a medium that kids can use to understand all other kinds of visual information – much more than watching television or playing video games…They can go back to the same story and read it over and over again. And also because it’s done by one person — it’s drawn by hand — it inspires them to want to make comics.

Art Spiegelman: What makes this a real treasury rather than just a bunch of product put together in four hundred pages of offering [is that] so much of this is written and drawn by the same person…And here when we’re looking at Walt Kelly and Sheldon Mayer and, to a degree, John Stanley and certainly Carl Barks, they were really able to enter and make a whole world themselves. Really act it out, draw it, and write it. So you’re really throbbing inside one person’s brain. And to have that many brains presenting fully realized worlds, you feel it when you’re looking through these stories. They have a kind of urgency in their own way…These characters are a lot more complex than Spider Man. Little Lulu is so much more richer than Peter Parker.

Fighting Evil

“All human evil comes from a single cause, man's inability to sit still in a room.”

~ Blaise Pascal

Unleashed

Nothing Left Out

My copy of The Book of Genesis Illustrated by R. Crumb just arrived!

From the introduction:

I, R. CRUMB, THE ILLUSTRATOR OF THIS BOOK, HAVE, TO THE BEST OF MY ABILITY, FAITHFULLY REPRODUCED EVERY WORD OF THE ORIGINAL TEXT, WHICH I DERIVED FROM SEVERAL SOURCES, INCLUDING THE KING JAMES VERSION, BUT MOSTLY FROM ROBERT ALTER’S RECENT TRANSLATION, THE FIVE BOOKS OF MOSES (2004). IN A FEW PLACES I VENTURED TO DO A LITTLE INTERPRETATION OF MY OWN, IF I THOUGHT THE WORDS COULD BE MADE CLEARER, BUT I REFRAINED FROM INDULGING TOO OFTEN IN SUCH “CREATIVITY,” AND SOMETIMES LET IT STAND IN ITS CONVOLUTED VAGUENESS RATHER THAN MONKEY AROUND WITH SUCH A VENERABLE TEXT.

EVERY OTHER COMIC BOOK VERSION OF THE BIBLE THAT I’VE SEEN CONTAINS PASSAGES OF COMPLETELY MADE-UP NARRATIVE AND DIALOGUE, IN AN ATTEMPT TO STREAMLINE AND “MODERNIZE” THE OLD SCRIPTURES, AND STILL, THESE VARIOUS COMIC BOOK BIBLES ALL CLAIM TO ADHERE TO THE BELIEF THAT THE BIBLE IS “THE WORD OF GOD,” OR INSPIRED BY “THE WORD OF GOD,” WHEREAS, I, IRONICALLY, DO NOT BELIEVE THE BIBLE IS “THE WORD OF GOD.” I BELIEVE IT IS THE WORDS OF MEN.

IT IS, NONETHELESS, A POWERFUL TEXT WITH LAYERS OF MEANING THAT REACH DEEP INTO OUR COLLECTIVE CONSCIOUSNESS, OUR HISTORICAL CONSCIOUSNESS, IF YOU WILL. IT SEEMS INDEED TO BE AN INSPIRED WORK, BUT I BELIEVE THAT ITS POWER DERIVES FROM ITS HAVING BEEN A COLLECTIVE ENDEAVOR THAT EVOLVED, AND CONDENSED OVER MANY GENERATIONS BEFORE REACHING ITS FINAL, FIXED FORM AS WE KNOW IT DURING THE “BABYLONIAN EXILE,” CIRCA 600 B.C.E.

…IF MY VISUAL, LITERAL INTERPRETATION OF THE BOOK OF GENESIS OFFENDS OR OUTRAGES SOME READERS, WHICH SEEMS INEVITABLE CONSIDERING THAT THE TEXT IS REVERED BY MANY PEOPLE, ALL I CAN SAY IN MY DEFENSE IS THAT I APPROACHED THIS AS A STRAIGHT ILLUSTRATION JOB, WITH NO INTENTION TO RIDICULE OR MAKE VISUAL JOKES. THAT SAID, I KNOW THAT YOU CAN’T PLEASE EVERYBODY."

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“R. Crumb's Awesome, Affecting Take On Genesis,” by Susan Jane Gilman, NPR (October 16, 2009)

Like Any Other Day

"Garfield Minus Garfield is a site dedicated to removing Garfield from the Garfield comic strips in order to reveal the existential angst of a certain young Mr. Jon Arbuckle. It is a journey deep into the mind of an isolated young everyman as he fights a losing battle against loneliness and depression in a quiet American suburb."

[Thank you Dalai Grandma!]

Math is a Religion

Calvin & Hobbes

Turkey Poacher