Wherever We Are

Residence/Inn
by Daron Larson

The hotel room is roomier
now that we’re older,
largely because of your frequent business travel
which rewards loyalty with extra comforts.

There’s even a small kitchen,
though nothing to eat,
and a living room with a couch
that can become a bed for guests.

I pull back the curtains to let the light in.
You’ve already managed to unpack
everything we’ve brought
and sort it all into the drawers —
a tendency I used to tease you about.

The bathroom counter is organized
(his, his).

The white towels hang perfectly undisturbed.
Our books and electronics wait on our nightstands
(yours, mine).

How can we ignore the similarity
between borrowing and owning?
Is it possible not to notice that
home is wherever we are?

When I get up in the middle of the night
to use the bathroom,
I take care to step over the dog,
even though she’s asleep in the kennel
not far from where we live,
hoping to wake from
the confusion of her disrupted routine.

In the morning, we make the bed.
You find coffee and read the paper
while I try to let go of my story
until the bell rings,
and then again whenever I’m able
after the sound trails off.

On the other side of the door
waits a blend of familiarity and strangeness,
not unlike every other door we have ever
closed or opened,
locked or walked through,
alone or together,
for as long as we both have lived.

Seeing the Other Side of Things

René Magritte wrote, "To equate my painting with symbolism, conscious or unconscious, is to ignore its true nature. People are quite willing to use objects without looking for any symbolic intention in them, but when they look at paintings, they can't find any use for them. So they hunt around for a meaning to get themselves out of the quandary, and because they don't understand what they are supposed to think when they confront the painting. They want something to lean on, so they can be comfortable. They want something secure to hang on to, so they can save themselves from the void. People who look for symbolic meanings fail to grasp the inherent poetry and mystery of the image. No doubt they sense this mystery, but they wish to get rid of it. They are afraid. By asking ‘what does this mean?’ they express a wish that everything be understandable. But if one does not reject the mystery, one has quite a different response. One asks other things."

"To the extent that my pictures have any value," [Magritte] once said, lobbing a grenade at the experts and explainers, "they do not lend themselves to analysis." He quoted Victor Hugo, "We never see but one side of things." And to this he added, "it's precisely this 'other side' that I'm trying to express."

From "The Artist Who Was Master of the Double Take," by Bennett Schiff, Smithsonian Magazine (September 1992)

Truth Versus Gossip

“Rumors are a great source of comfort for people…When you’re looking at truth versus gossip, truth doesn’t stand a chance.”

~ Barbara Mikkelson of Snopes.com, from “Debunkers of Fictions Sift the Net,” by Brian Stelter, New York Times, April 4, 2010